Review – Icarus Falling

‘I set my wings alight for you tonight.’

And that he does. Alone on a small dark and cramped stage, the aptly-named Scott Wings tells the story of Icarus – the boy who flew too close to the sun. Wings presents a different and compelling take on this classic tale by interweaving Greek mythology with beautifully crafted poetry to explore the dark and manic realms of depression.

As Wings begins the story of Icarus and his father Daedalus, one could be forgiven for initially worrying that the crass style of narration would quickly tire. However, any concerns are immediately quashed as it becomes apparent that the manic oscillation between boisterous characters and uncouth narrator reflects the very unpredictable nature that is depression. It works, and it works well.

The interspersed poetry fuelled by lost love, depression and suicidal thoughts are so raw and emotive it’s hard not to think that this is a personal battle for Wings. At one point, it feels like the audience is literally pulled onto the battlefield as he points to random people, presumably representing the mentally-healthy, and describes in ever more fanciful ways how they ‘bottle lightning’ while he can barely hold his jar.

The only real downside to the evening is noise from a show upstairs interrupting the intense atmosphere Wings has created. However, like a professional, Wings merely works it into his performance as though Daedalus is literally above us loudly plotting his escape.

If you know someone suffering from depression, this emotionally charged performance will resonate with you powerfully. Icarus Falling provides a unique insight into the minds of those who fly too close to the sun.