Review – Stephen K Amos: The Spokesman
The Spokesman is the latest stand-up effort from British comic, Stephen K Amos. Sadly, it feels almost as though Amos has run out of material.
The Spokesman is the latest stand-up effort from British comic, Stephen K Amos. Sadly, it feels almost as though Amos has run out of material.
All in all it was an entertaining show, but tits and ass usually is. In this case however the aforementioned tits and asses belonged to some very smokin’ hot and talented ladies.
Marcel Lucont masks his comedic material via a French caricature. It’s like watching Gabriel Gaté not cook anything.
Georgie Carroll wants us to know that, when it matters, nurses are very caring and serious professionals. The other ninety percent of the time, though, they giggle and they giggle a lot.
In The Social Contract – Redux, Dave Bloustein recounts his all too personal experience with a comedy show gone horribly wrong; so wrong, in fact, that he wound up in court for not being funny.
If you aren’t familiar with First Dog on the Moon (or FD in Internet parlance) as a political satirist and cartoonist then you’re probably part of the problem…
Abandoman is an entirely improvised show, powered by the audience, their stories and the objects in their pockets and handbags.
This is a silly show, but the stories are straight from the heart, the laughter is genuine and you’ll get sucked right in to the life of professional hipster Cobi Smith.
Comedy shows have framing devices. It’s a fact of life: you need something to bookend your show, a big revelatory note on which you can end the night, to show you’re a human being and not just a joke machine.
Every wondered about what it is to be a male, a metrosexual male, in a women’s world? Well that’s what Dave Thornton questioned and explored with his audience, on one hot Adelaide night.
Aaron Nobes knows a thing or two. He knows Facebook’s “Like” button is the only bit of glue holding society together. He knows which brand of tinfoil offers the best protection against government mind-control.
The danger of basing a comedy show around pop culture, and Willis appeared well aware of this, is that English references may not translate to Australian audiences.
It was a brave choice for him to start the show with deliberately-bad material and only gradually let out his best stand-up, but he can sell even his worst one-liners in the delivery
It is a brave individual that chooses to base a stand up comedy show upon the tragedy of heroin addiction.