Category: Adelaide Fringe 2014

Review – Wau Wau Sisters: Death Threats (and other forms of flattery)

With a mix of homoerotic acrobatics, storytelling, songs and bullet dodging, the Wau Wau sisters display their irreverent wit as well as their gold-spangled athletic bodies. The most impressive act in this self-proclaimed ‘Cirque de T&A’ is on the double trapeze. The sisters dazzle their gasping audience with impressive spins and catches, entirely in lascivious character.

Review – The Vaudevillians

Reimagining everything from Madonna to Daft Punk, the show peaks in a blistering rendition of Gloria Gaynor’s “I Will Survive” (complete with a nod to Priscilla, Queen of the Desert). This is cabaret at its best – witty, hilarious and oozing with talent.

Review – Hitchcocked by Sound & Fury

This was a murder mystery Hitchcock adventure with a real storyline. You actually wanted to know what happens next. Who’s the killer? Why? Will they get away with it? So many questions! Sound & Fury answered them, and more, in a charmingly intelligent performance.

Review – Ha Ha Comedy Late Show

Anderson can be vulgar at the best of times yet his interaction with the audience never really crossed the line; he seemed well accustomed to reading the crowd and knew just how far to push a joke. The nervous anticipation that you may be the next target was outweighed by the simple comical possibility that it could also be someone else.

Review – A Brief History of Beer

Grab a beer and embrace the bizarre. Trish Parry and Will Glenn from Wish Theatre Company are here to take you on a cross-continental, time-travelling journey in their Quantum Pint Machine through the highlights of beer history, from the beginnings of brewing in ancient Iraq through to today.

Review – Luminous

Luminous is black-light luminescent body-art, burlesque and circus show, and while you may be able to see any of these a thousand times at other venues throughout the city, you will not see them together like this.

Review – Elixir

The duo adopt the personas of two scientists/test subjects, held captive in a laboratory for the purposes of ascertaining how effective a variety of elixirs are in improving their physical attributes. This is a perfect narrative structure, given the impressive array of acrobatic feats that the artists perform throughout the hour long show.

Review – Deception

Now. I am not a pushover. You can’t just pull the wool over my eyes. I pride myself on knowing. I’m usually the one saying, “Oh, can you see the strings?” In this case, I didn’t know how you did it. And I liked that. I liked it a lot.