Review – Circolombia
There has been a lot of hype about this show so I was very excited as we piled into the Big Top at the Garden of Unearthly Delights.
There has been a lot of hype about this show so I was very excited as we piled into the Big Top at the Garden of Unearthly Delights.
Little is very funny. He is also very good looking but don’t be fooled by this charmer, sometimes the things that come out of his mouth make you giggle, cringe then giggle again.
While the name may hint at some kind of adult burlesque circus antics, nothing could be further from the truth – this is family-friendly, innocent fun.
This is not your run-of-the-mill magic show. This one has a coherent and engaging storyline tying all the tricks together.
Kid’s songs are simple, but that doesn’t necessarily make them easy to write or perform, and Combe’s consummate delivery demonstrated why he has endured for so long.
EastEnd Cabaret were one of our favourite acts last year and with good bloody reason too.
Oliver Tank plays smooth music. It’s reflective, romantic, aspiring – it exists on that other plane where emotions are intricate and overwhelming, to be wondered at and mourned for their evanescent beauty.
The Garden of Unearthly Delights’ successful explosion over the years into a weekend bogan haven ensures the continuation of late-night strip-shows and lazy, boozy stand-up that may make any fan of ‘the arts’ dread to ever enter.
Fitzhigham explodes on to the stage with the manic energy we’ve come to expect from British comedy.
Physical comedy is a bit of a poisoned chalice. Audiences have largely come to accept that jugglers are for children and adults are only meant to enjoy bitter, observational stand-up.
“Mud Mud Glorious Mud” and “Gnu” were freakin’ top of the pops between sixty and seventy years ago but they hold up well over time as completely ridiculous songs.
Abandoman is an entirely improvised show, powered by the audience, their stories and the objects in their pockets and handbags.
Comedy shows have framing devices. It’s a fact of life: you need something to bookend your show, a big revelatory note on which you can end the night, to show you’re a human being and not just a joke machine.
Every wondered about what it is to be a male, a metrosexual male, in a women’s world? Well that’s what Dave Thornton questioned and explored with his audience, on one hot Adelaide night.