10 Quick Qs – Asher Treleaven
Asher Treleaven is returning to Adelaide to put on his new show for Fringe; heckler asks him the important questions!
Asher Treleaven is returning to Adelaide to put on his new show for Fringe; heckler asks him the important questions!
[Jared Leto’s] supporting role steals the spotlight, even alongside McConaughey’s colourful and commanding performance.
When we first meet Solomon (played by Chiwetel Ejiofor) he is a skilled fiddle player with a wife and family, but by a ruse he finds himself drugged, chained, and sold to slavers.
The Wolf of Wall Street is not a warts-and-all portrayal of Wall Street vice but is, at its core, an uninteresting brush-up of a man who has already received too much attention.
Let me begin by saying that I found Silver Linings Playbook overhyped and underwhelming which is why I went into David O Russell’s follow-up American Hustle with a touch of trepidation.
The Adelaide Fringe Festival … is for the punter that celebrates the misfit, likes a bit of grit in their culture, and is eager to engage with their art… This poster fails to capture what the fringe is all about: a festival for the different, marvellous, unconventional acts that don’t really belong anywhere else in the arts scene.
If this is what is coming through in the emerging designer space then there are exciting times ahead.
It is hard not to walk away from this film in awe of… home-grown SA talent in the field.
Boy meets girl. Girl and boy fall in love. Bad thing happens. Love is tested. Audience rapidly loses interest in film.
Every Blessed Day is a love story, and a sweet little one at that, about the trials and melodrama of an ongoing relationship.
Whoever said that all high-school dramas ought to be damming, finger-jabbing films with moral outrage and deep-seeded messages? Is it really such a crime to make a simple film that tells a story, without trying to convince everyone to light up some torches, grab a few pitchforks and rage against the machine?
There’s a disarming ‘what were we thinking?’ nature to some of that interview footage, crisp and HD as it is against the grainy and immediate, unfiltered news footage of the time. But it is the latter, the incredible archive stuff spun towards us with a wild metal soundtrack at times, that is the real core of this work.
It is evident that the film was made on a shoestring budget… but it shouldn’t feel like it so much.
It’s all heavily reminiscent of Meet the Parents: at its best we get a few laughs; at its worst we’re already asleep.
Both performers are hugely energetic and their clear enthusiasm is highly infectious, making for a captivating performance.