Review – I’m not pale, I’m dead.
Fringe organisers, in the future, give this young woman a space worthy of her talent please.
Fringe organisers, in the future, give this young woman a space worthy of her talent please.
It’s a sweet, touching, hilarious show, and it’s too late to see it.
As each comedian does their set, Hadley Donaldson doodles their stories on a projector screen. The results are often hilarious, as comic and illustrator jostle for laughs.
Green is an absolute master of his craft, and well worth spending an hour with.
You’re blindfolded on this date, then guided around town for about an hour, making conversation as you go.
If the line-up continues to be so impressive in the future, you can count on my presence year after year, subpar fish and chips or not.
In his latest show, Douchebag, Josh Thomas explores the idea of whether or not he is becoming, well, a douchebag.
Ever since the documentary ‘Tackle Happy’ brought this show to audiences attention, the ‘Puppetry of the Penis’ team have been touring the world.
A real Fringe treat that will make you think, but most of all it will make you smile.
This sort of show can easily go bad in the hands of an enthusiast who can’t tell the difference between mundane trivia and the shocking, weird, stupefying and libellous.
A comedy show at RiAus, the Science Exchange, sounds like a recipe for sharp, topical humour on stuff like homeopathy, climate change and evolution. But we only got a little of that with these two shows, Where? Why? Where? and Earth: May Contain Traces of Human
In true Basil Fawlty form, guests are commented on, mocked and snickered at, all in the snootiest, most British way possible.
Ensorceled, entranced, utterly engaged; the audience was moved to a well-earned standing ovation.
You can’t go wrong with a ticket to the Bulmers Best of the Fest.