Review – 4 Decades of Dance with Driller
If you want a solid night of booty-shaking, at the bargain basement price of $13 a ticket, you can’t go past 4 Decaces of Dance.
If you want a solid night of booty-shaking, at the bargain basement price of $13 a ticket, you can’t go past 4 Decaces of Dance.
The opening performance of A Burlesque Interlude left much to be desired. There were obvious shortcoming from several areas, both performance and technical sides, and much room for improvement for the rest of their 5 night run.
Comedy shows have framing devices. It’s a fact of life: you need something to bookend your show, a big revelatory note on which you can end the night, to show you’re a human being and not just a joke machine.
Every wondered about what it is to be a male, a metrosexual male, in a women’s world? Well that’s what Dave Thornton questioned and explored with his audience, on one hot Adelaide night.
The Lowest of Us is a discrete, one-act play which explores the intimacy of a hotel room meeting between two lovers.
A group of Adelaide musicians lead by Luke Thompson, play some of James Taylor’s (the original JT) most popular songs, chronologically listing details of his personal life and professional successes.
He’ll make you want to take your clothes off. Kim Churchill is a beautiful man inside and out, and backs it up with some mighty good talent.
Anyone who heard the recent performance of Peer Gynt perfomed by the BBCSO featuring Irish actors playing the dramatic parts will have noticed (or ‘can imagine’ for you blushing culture-absconders) how perfectly appropriate the brogue fitted with the folksy mythical themes and characters.
Aaron Nobes knows a thing or two. He knows Facebook’s “Like” button is the only bit of glue holding society together. He knows which brand of tinfoil offers the best protection against government mind-control.
Make your way down to the quieter side of the city this weekend and join vocalists Grant Pearson and Jacqui Yeo along with three piece band the Secret Agents in an evening of aural and visual delight as they celebrate all things Bond, James Bond.
The danger of basing a comedy show around pop culture, and Willis appeared well aware of this, is that English references may not translate to Australian audiences.
It’s a big ask for any actor to play the king of the perfect one liner and immaculate comedy timing but, after a slow start, Dennis Manahan pulls it off.
At first glance it might seem that this pair would have no need for a survival guide to love, however there is a sincerity in their emotions throughout the performance which is really refreshing.
It was a brave choice for him to start the show with deliberately-bad material and only gradually let out his best stand-up, but he can sell even his worst one-liners in the delivery
What the masses said