If you’re going to see this guy, which you totally should, I recommend getting a crowd together first. A big crowd. And make sure you have a bar nearby. And now you can properly enjoy the not-quite-deejay sounds of Wolfwolf as he mashes together all your favourite future funk tracks.
A quirky, almost wordless performance of dance, acrobatics and physical humour. Mostly plotless, the show revolves around different scenes featuring unique bird-like characters played by the three talented performers of 3 is a Crowd.
Watching slightly more unshaven vaginal nudity than I had bargained for on a Saturday afternoon, I had found myself in an artists living room.
Jenny Hamilton is a certified auto mechanic but has been on the comedy circuit since 2008, drawing on her own life for material and she has plenty, describing herself as a “short, fat lesbian.”
David Hare is an exciting and big name in the world of theatre. A chance to see any of his plays shoudn’t be missed and 5Pound Theatre’s version of The Blue Room at this Fringe Festival is not flawless, but it’s fun.
School teachers Ian and Barbara are concerned about one of their students, Susan, a fifteen-year-old girl who seems hopelessly out of place…
It is a collection of burlesque performances, tied loosely together by a pair of overly-cheesy hosts – it is also a loose parody of David and Margaret’s At The Movies and follows the format of a review show.
Dylan Cole’s choice to parody TED conferences was an inspired one but…
Boon-esque is a bold and juicy tribute to the literature, music and fashion of the mid-Twentieth century.
I have no clue about the violin and I don’t need one, it is safe to say Vasilakis is stunning!
It is a brave individual that chooses to base a stand up comedy show upon the tragedy of heroin addiction.
Nikki Britton feels as if her life is on rails. All her friends are settling in for the long haul, getting married and having children, and they’re expecting her to follow suit.
Nicholas Sparks’ hit, ‘The Notebook’ has ensured the rest of this novelists’ output earn movie adaptations. Especially since Sparks himself produces them. Following this series risks witnessing the gradual watering down of a well loved romantic hit, but Sparks’ background was in business prior to becoming published. Cha-Ching!
The writing is unassuming but fearless, the acting superb and the spell woven subtly, only broken by the applause when you realise – that was really bloody good.
The story has political undertones, but when you come down to it, it’s a damn good comedy that touches on many different facets of immigration.
What the masses said