Review – Sullivan and Bok
The mélange of playfulness, wit, absurdity and silliness make for hilarious company.
The mélange of playfulness, wit, absurdity and silliness make for hilarious company.
Steve Hughes’ “Big Issues” deals with precisely that – the big issues facing our society.
EastEnd Cabaret were one of our favourite acts last year and with good bloody reason too.
Etta James was one of the pioneers of blues music, a genre known for its portrayal of agony and pain.
Covering early hits like “Chain of Fools” to eighties chart topper “Pink Caddillac” this group seemed hell bent on making sure everyone had a great time.
This is exactly the sort of theatre the Fringe is for: small, crafted, ambitious, glamorous, dark, magical and profound.
Oliver Tank plays smooth music. It’s reflective, romantic, aspiring – it exists on that other plane where emotions are intricate and overwhelming, to be wondered at and mourned for their evanescent beauty.
Mixed feelings about this lacklustre improvised comedy; there were so many standard improvisation rules broken that the cast more or less shot themselves and each other in the feet.
The Garden of Unearthly Delights’ successful explosion over the years into a weekend bogan haven ensures the continuation of late-night strip-shows and lazy, boozy stand-up that may make any fan of ‘the arts’ dread to ever enter.
‘I wish I were him’ is heart-warming, blundering and funny.
Great to see this kind of event included in the Fringe Festival, reminding us that there’s more than predominantly white culture sitting on the fringe of Adelaide’s great city.
The story goes, Dave Callan once graced (or disgraced) the dance floor of Rhino Room and a concept was born….
Fitzhigham explodes on to the stage with the manic energy we’ve come to expect from British comedy.
The Spokesman is the latest stand-up effort from British comic, Stephen K Amos. Sadly, it feels almost as though Amos has run out of material.
What the masses said