Review – The Trial
The set design was perfect and the use of space skillfully executed, the performers placed themselves amongst the audience for certain scenes which worked well in that space.
The set design was perfect and the use of space skillfully executed, the performers placed themselves amongst the audience for certain scenes which worked well in that space.
Audiences who trickled in for last night’s “Cheap Tuesday” offer of ‘Best of the Edinburgh Fest’, received a performance that was anything but cheap or second-rate.
These guys can sing! It is absolutely refreshing to see young musicians being able to truly show off their capabilities and vocal strengths without relying purely on electronic amplification. Bravo, encore!
The evening was well paced, all the acts complimented each other perfectly and it was a joy to see them all on the one night and with such a fitting progression between them.
As grand a statement as this is I completely stand by it; this show will change your world.
By the third song in, the dance floor had started and did not stop until the final encore.
Sultan stands alone: three guitars and a keyboard keeping him company.
Throughout the hour, the Lords of Strut treat the audience to a comedic medley of exaggerated facial expressions, mild acrobatics, drag and partial nudity.
Discussing topics from dating to (poker-playing) ghosts to (drawer-inhabiting) murderers, McGregor does more than just make fun of himself for the errors of his fight-or-flight response – he creates a safe space for a frank discussion of social discomfort.
It would be a wet slip-up to not make mention of the cast who were truly left showered in approval.
This is the show that will define the upper echelon of this year’s Fringe; miss it at your peril.
If you’re on a hens’ night, a boys’ night or a guilty-pleasures night, the Naked Magicians will certainly entertain.
Webb is an earnest actress whose references to Adelaide locations kept audiences engaged, but…
What the masses said